Apparently lists and blogs play well together, so here goes. Actually, first a slight disclaimer: My experience comes from living for two months in Franken (Franconia) - Nürnberg to be specific. While this is legally in Bavaria, I’m led to believe that it’s an important distiction to note that I’m not in Bavaria, but Frrrrrank’n. Anyway..
- Nachmittagspuase.
After lunch, work stops for a couple of hours. In the theater, rehearsals are normally before lunch and in the evening, which leaves the middle of the day for excellent things like sleeping (or learning music I suppose). - Essen
I could easily fill five points with differentGermanBavarianFrankisch food that I like: Weißwürst, Nürnbergerwürste.. in fact, I could do a list of my favourite five sausages also. Brezen! We’ve learnt to bake our own pretzels (something had to be done - the main pretzel bakery in town is just around the corner) and though we don’t use lye as the professionals do, we’ve got it figured out pretty well, and anyone who visits will get to try some! They are great with sweet mustard and Frischkäse (and Weißwürste!). Döner is also good. They have a mixture of coke and fanta (like we used to do at Sizzler!) and actually sell it under the name mezzo-mix. There is a generic name for the non-coke brand, but I forget what that is.
- The U-Bahn.
It’s so quick, regular and reliable - and we live right near it. - Kultur.
The Arts are so well funded in comparison to other places, like Australia (though the tax rate is also considerably higher). There are over 100 state-funded opera theatres in Germany, and even small cities have theatres. Nürnberg is by no means a small city - it’s population is around 500,000 (about the size of Canberra) and the metropolitan region is around 1 million, so a little more than half the size of Brisbane - yet, it has a full-time theatre which presents Opera, Ballet and Drama all-year round, including eight new opera productions. Nürnberg also has two professional orchestras - the Symphoniker and the Philharmoniker. The government even has an agency for theatre and television workers in Germany. As my colleague put it - it’s like Opera Australia ringing up Centrelink to find a singer! - History.
There is so much history here, and even though it’s almost totally rebuilt, der Altstadt ist sehr schön. We’re looking forward to doing some more travel, to places nearby such as Regensburg which is a well-preserved medieval city (with a working opera theatre!). Nürnberg is of course rather infamous, but along with the interesting recent history, there is much to see and do. Apparently there’s some really special old bridges in town (including one of the oldest suspension bridges in the world), and it’s important to train buffs (have you met a buff train buff?), as it had the first German train line (Nürnberg to Fürth), and the first driverless u-bahn in Germany. It has had some famous citizens too: Dürer, Pachabel, Hans Sachs. Copernicus apparently had his stuff published here first, and Sandra Bullock grew up here and sang in the Children’s Chorus at the Staatstheater Nürnberg (though it would have been a Stadttheater back then). Footsteps indeed.
QUOTE:
On a cool spring eve, March 15th, 2009, a bat, crippled and wistful, clung to the Space Shuttle Discovery as it was thrust toward the great beyond. Goodbye and godspeed, my magnificent Spacebat.
At some point during the countdown, Spacebat—a Free-Tailed Chiroptera—was spotted latched to the foam of the external fuel tank, occasionally moving but never letting go. Wildlife experts deduced that he had injured his wing and shoulder, leaving him with little chance of survival. He remained on the tank until launch. NASA’s cold report?
The animal likely perished quickly during Discovery’s climb into orbit.True! But here’s how it should have read:
Bereft of his ability to fly and with nowhere to go, a courageous bat climbed aboard our Discovery with stars in his weak little eyes. The launch commenced, and Spacebat trembled as his frail mammalian body was gently pushed skyward. For the last time, he felt the primal joy of flight; for the first, the indescribable feeling of ascending toward his dream—a place far away from piercing screeches and crowded caves, stretching forever into fathomless blackness.Whether he was consumed in the exhaust flames or frozen solid in the stratosphere is of no concern. We know that Spacebat died, but his dream will live on in all of us.
Shuttle-Riding Bat Dies The Most Glorious Death Imaginable Gizmodo
To die… Chasing a dream!






Some random photos from my Handy which I’ve just remembered to take off my phone.
Susan Gritton in Opera Australia’s Peter Grimes - Embroidery (via operaaustralia)
I’ve never been one for caring about superstitions, things such as not walking under ladders and so forth, but there are a number of them in the theatre, and some peculiar ones to Germany. Most people are aware of the superstitions about not wishing a performer ‘good luck’, and so say things like ‘break a leg’, although I’ve heard that this term actually refers to 18th century bowing. In Germany the well wish usually takes the form of ‘toi toi toi’, or sometimes mimicking three spits over the left shoulder (which is presumably where ‘toi toi toi’ comes from). The important thing is not to say thank-you, and this is quite a culture shock to not thank someone for their well wish.
Another German theatre rule is ‘no whistling’ anywhere in the theatre, as this is supposedly bad luck. It comes from the time before fire alarms, when whistling was the fire alarm. I have had to catch myself a number of times in the corridor. It’s not that I think it will bring bad luck, but that I respect that others might be offended by it, so I refrain. Dealing with superstition is an interesting issue, and I wonder how many people actually hold to the superstitions or just hold to the traditions.
Personally, I like the Aussie well wish: ‘Chookas!’, but I’ve no idea where that comes from.
We just got back from a concert given by the Nürnberg Philharmoniker of Beethoven:
Concerto for Violin & Orchestra in D Major op. 61
Symphony No. 3 in Eb Major op. 55 “Eroica”

It was great. I’ve not heard the 3rd live before, nor was I familiar with the Concerto. The violinist was quite young, but incredible. His double-stopping was brilliant.
The best thing was that the tickets were free! As a member of the Opernstudio we get comps to pretty much any performance of the Staatstheater (the Philharmoniker is also the house ‘band’ - Nürnberg actually has two professional orchestras, the Philharmoniker and the Symphoniker; not bad for a town only a third the size of Brisbane!) except for popular premieres, such as Tannhäuser the other night (We’re seeing that on Sunday). Being Franken, Wagner is pretty popular in these parts; Bayreuth is just down the road a bit.
Perhaps I should write a list about symphonic music sometime. Of course, it could only come to nine points, as I would no doubt expire before finishing the tenth.
Also, great response on the LSO blog to a Guardian piece about conductors being unnecessary.
Largo al factotum - Simon Keenlyside (Tsunami Gala) (via antmusique)
